عرض أزياء
3ard 2azyaa2 is arabic for "fashion show". i want to be a fashion when i grow up.
عرض أزياء
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blackfashion:

Barbara von Enger arriving at the Dior Couture show in Paris.
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inspirationformuslims:

 
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blackfashion:

www.lovelifepearls.com
IG: @lovelifepearls
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ralphlauren:

“A glamorous woman is always elegant, but she also possesses an air of mystery and excitement. She’s dramatic—almost untouchable.” - Ralph Lauren
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nerd-utopia:

Michiel Huisman (Photography by Bjorn Iooss)
nerd-utopia:

Michiel Huisman (Photography by Bjorn Iooss)
nerd-utopia:

Michiel Huisman (Photography by Bjorn Iooss)
nerd-utopia:

Michiel Huisman (Photography by Bjorn Iooss)
nerd-utopia:

Michiel Huisman (Photography by Bjorn Iooss)
nerd-utopia:

Michiel Huisman (Photography by Bjorn Iooss)
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✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).

✧: “Joe [Wright] just told me: ‘You better make it good because it’s really significant.’ So, I felt very worried that it wouldn’t be good enough and I just made it and I thought, ‘Well, it’s kind of OK.’ Someone asked me before ‘What makes a costume iconic?’ It’s really only partly the costume designer. It’s really about Keira wearing it, at that moment, looking the way she does. The way that it’s framed. How Joe uses it. How it fits in the story. All those things make it something… It’s made to be at that moment in the movie, and its greatness comes from all those elements at the same time. I didn’t know it would be so good, you can’t know!” — Jacqueline Durran, costume designer for Atonement (2007).
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fuckindiva:

M.I.A. on set of Bring the Noize video clip by Liz Johnson-Artur, 2013
fuckindiva:

M.I.A. on set of Bring the Noize video clip by Liz Johnson-Artur, 2013
fuckindiva:

M.I.A. on set of Bring the Noize video clip by Liz Johnson-Artur, 2013
fuckindiva:

M.I.A. on set of Bring the Noize video clip by Liz Johnson-Artur, 2013
fuckindiva:

M.I.A. on set of Bring the Noize video clip by Liz Johnson-Artur, 2013
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